Malcolm Morley

Born in London in 1931, Malcolm Morley has lived in and around New York City since 1958.  He is acknowledged as one of the earliest innovators of “super-realism,” which developed as a counterpoint to Pop Art in the 1960s.  Over the course of his distinguished career, Morley has defied stylistic characterization, moving by turns through so-called abstract, realist, neo-romantic, and neo-expressionist painterly modes, while being attentive to his own biographical experiences.  Morley studied at the Camberwell College of Arts and the Royal College of Art.  Since his first New York show in 1964, he has had numerous exhibitions in Europe and North America and has participated in many international surveys including Documenta 5 (1972) and Documenta 6 (1977).  His first retrospective, organized in 1983 by the Whitechapel Art Gallery, travelled to the Museum of Contemporary Art, Chicago, and the Brooklyn Museum.  In 1984 he was awarded the inaugural Turner Prize.

Subsequent noteworthy presentations of Morley’s work include an exhibition of watercolors at Tate Liverpool, which travelled to the Kunsthalle Basel, Bonnefantenmuseum in Maastricht, and the Parrish Art Museum in Southampton, NY (1991-92); a retrospective at the Musée national d’art moderne, Centre Georges Pompidou, Paris  (1993); an exhibition organized by Fundación La Caixa, Madrid, which travelled to the Astrup Fearnley Museet, Oslo (1995-96); a retrospective at the Hayward Gallery, London (2001); and the survey “The Art of Painting” at the Museum of Contemporary Art, North Miami (2006).  Recent exhibitions include “Malcolm Morley in a Nutshell: The Fine Art of Painting 1954-2012” at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley’s art-making process at the Parrish Art Museum (2012-13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013-14).  In addition to the Turner Prize, Morley was awarded the Painting Award from the Skowhegan School of Painting and Sculpture in 1992, and he has been inducted into both the American Academy of Arts and Letters and the American Academy of Arts and Sciences.  Morley became a citizen of the United States in 1991.  His work can be found in museum collections worldwide.