An open access publication of the American Academy of Arts & Sciences
Fall 2006

Many masks, many selves

Author
Wendy Doniger

Wendy Doniger, a Fellow of the American Academy since 1989, is Mircea Eliade Professor of the History of Religions at the University of Chicago Divinity School and director of the Martin Marty Center. Among her numerous publications are “Siva: The Erotic Ascetic” (1973), “The Origins of Evil in Hindu Mythology” (1976), “Splitting the Difference: Gender and Myth in Ancient Greece and India” (1999), and “The Woman Who Pretended to Be Who She Was” (2005).

In both real life and mythology, people set out to become other people but, through a kind of triple cross1 or double-back, end up as themselves, masquerading as other people who turn out to be masquerading as them. Sometimes entire ethnicities indulge in this self-imitation. The inhabitants of places known for their ethnic charm, where tourism has become a major industry, consciously exaggerate their own stereotypes to please the visitors: the British lay on the ‘ye olde’ with a shovel, the Irish their blarney, the Parisians their disdain for tourists. The politics of colonialism produced another, more serious sort of self-parody, in this case perhaps unconscious: Edward Said wrote of “the paradox of an Arab regarding himself as an ‘Arab’ of the sort put out by Hollywood. The modern Orient, in short, participates in its own Orientalizing.”2 Orientalism, like other forms of political domination, has also inspired what James Scott has taught us to recognize as the arts of resistance, the weapons of the weak,3 which include a kind of apparent self-mockery that actually mocks the mockers. There are so many examples, but in this essay I will consider just those in two broad categories: politics and gender.

Individuals are often driven to self-impersonation through the pressure of public expectations. The sorts of public figures who are nowadays called icons are often famous for nothing but being famous. Politicians, in particular, are great self-imitators. Hillary Rodham Clinton once reported: “Suddenly a woman came up to me. ‘You sure look like Hillary Clinton,’ she said. ‘So I’m told,’ I answered.”4  And when an actor actually becomes a politician the felonies are compounded. Consider the self-imitation of film actors who play the parts of politicians who then become actors.

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Endnotes

  • 1The Oxford English Dictionary defines ‘triple cross’ thus: “The act of betraying one party in a transaction by pretending to betray the other, or of betraying a person who has betrayed another.” I am paying the word a bit extra, as Humpty Dumpty would say, to extend its meaning to the act of masquerading as a person who has masqueraded as another person.
  • 2Edward Said, Orientalism (New York: Vintage Books, 1978), 325.
  • 3James C. Scott, Domination and the Arts of Resistance (New Haven, Conn., and London: Yale University Press, 1990).
  • 4Hillary Rodham Clinton’s first newspaper column, copied in the New York Times, July 24, 1995, A10.
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